Adedibu Liasu
“Thinline”, Review: A Lukewarm Thriller
“Thinline” is a thinly written movie with underdeveloped characters. The movie’s attempt at protracting…
My Mother is A Witch, Review: An Empty Ode to Motherhood
My mother is a Witch could sometimes feel bereft of authenticity on the subject…
“To Kill A Monkey,” Review: Bucci Franklin Steals The Show
The movie will be about the notorious Nigerian internet fraudster, Ramon Abass, known by…
“The Lost Days,” Review: Fails To Adequately Articulate Itself
The movie knows what it wants to say, but fails to adequately articulate itself…
“Ms. Kanyin,” Review: A Soap-operatic Horror That Failed On Multiple Fronts
"Ms Kanyin" fails to evoke any form of genuine fear. The jump scares are…
“The Party,” Review: Nothing New to the Nollywood Whodunnit Landscape
Femi Branch's performance in the role of Quadri stands out in the cast of…
“Landline,” Review: Doherty Boldly Ventures Into a Complex Territory
The distinctly minimalist approach limiting characters and locations by Dele Doherty hinders "Landline". This…
“Osoronga”, Review: Falls Into Tedious Rhythm
Nollywood has long been characterized it's demonization of traditional African beliefs and creeds. There…
“Baby Farm, ” Review: A Social Commentary And Critique of Nigeria’s Socio-economic Reality.
Directed by Walter 'Taylaur' Banger and Kayode Kasum, and written by South African columnist,…
“Suky,” Review: Cheap Thrills
Ola Cardoso, renowned for his unique and distinctive cinematographic style, delivers a visually dazzling…
“Ada Omo Daddy” Review: A Shallow-level Engagement
"Ada Omo Daddy" joins the list of Nollywood productions where the extravagant display…
“Lisabi: A Legend is Born,” Review: Is … Unnecessary
Written by Niyi Akinmolayan and Yinka Olaoye, "Lisabi: The Legend is Born," is lightly…