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Adedibu Liasu
“Landline,” Review: Doherty Boldly Ventures Into a Complex Territory
The distinctly minimalist approach limiting characters and locations by Dele Doherty hinders "Landline". This…
“Osoronga”, Review: Falls Into Tedious Rhythm
Nollywood has long been characterized it's demonization of traditional African beliefs and creeds. There…
“Baby Farm, ” Review: A Social Commentary And Critique of Nigeria’s Socio-economic Reality.
Directed by Walter 'Taylaur' Banger and Kayode Kasum, and written by South African columnist,…
“Suky,” Review: Cheap Thrills
Ola Cardoso, renowned for his unique and distinctive cinematographic style, delivers a visually dazzling…
“Ada Omo Daddy” Review: A Shallow-level Engagement
"Ada Omo Daddy" joins the list of Nollywood productions where the extravagant display…
“Lisabi: A Legend is Born,” Review: Is … Unnecessary
Written by Niyi Akinmolayan and Yinka Olaoye, "Lisabi: The Legend is Born," is lightly…
“Katangari Goes to Town,” Review: An Unsuspenseful Whodunit
"Katangari Goes to Town" lacks the suspense and excitement of a whodunit. There is…
Movie Review: ‘Seven Doors’ Is Blend of History, And Metaphysics
"Seven Doors" is a welcome change from the monotonous epic narratives now popular in…
MOVIE REVIEW: “Lisabi: The Uprising,” : Leaves Much To Be Desired
Adding to the film's visual appeal is Niyi Akinmolayan, a director known for his…
Tokunbo Movie Review: A Slow Paced Action Thriller
Tokunbo is Ramsey Noah's third film, following "Living in Bondage: Breaking Free" (2019) and…
“House of Ga’a,” Review: A Pale Piece of Entertainment
"House of Ga'a" is a tale of ambition, the allure of power, and the…
‘Oloture: The Journey’ Review: An Essential Piece On The Realities of Illegal Immigration from Africa
Oloture: The Journey" lacks the poignancy of the film, which is more emotionally moving…